MXR DOOKIE DRIVE
This pedal takes the sound Billie Joe Armstrong used on Green Day’s iconic album Dookie, combining the tonal character of his two heavily modified amplifiers—one scooped with high gain, the other with an articulate midrange—into one pedal so you can blend the two signals together just like they did in the studio. The Dookie Drive provides a full harmonic range for an< overdriven sound that is full of depth and dimension.
MXR DYNA COMP
BASS COMPRESSOR
The Dyna Comp Bass Compressor delivers the most iconic compression sound in music history, tweaked and tuned just for bass players. Built around the classic CA3080 “metal can” integrated circuit for its quiet operation, superior transparency, and increased dynamic range, this pedal comes with all the controls you need to shape your compressed sound in no time at all.
SIETE SANTOS OCTAVIO FUZZ
This pedal’s searing circuit is based on the Jimi Hendrix™ Octavio Fuzz, updated and dressed up sharply for the Reverend Billy Gibbons with a 7-band EQ so that he can sculpt and refine the effect for his electrifying solos. We also went ahead and added the modern convenience of an AC power jack. Decked out in a custom colour scheme with the Pinstripe Billy design, this pedal makes a mighty fine addition to the pedalboard of any player looking to borrow a little of Rev. Willie’s legendary magic.
JERRY CANTRELL CRY BABY WAH
DISTRESSED BLACK
The super popular Jerry Cantrell Cry Baby Wah just got a makeover, and it’s all about going back to the riff master’s Seattle roots. The distressed black finish recalls the visual vibes of the Alice in Chains record Rainier Fog while the custom treadle design is based on Jerry’s own tribal orca tattoo, created by Coast Salish artist Joe Wilson. As a sweet final touch, the bottom plate features the full lyrics to the song “Rainier Fog” from the aforementioned album. Limited to 500 pieces
WAY HUGE SMALLS
SUPA-LEAD OVERDRIVE
The Supa-Lead Overdrive is a dynamic and touch sensitive overdrive that cleans up immediately as you lower the guitar volume control. Designed to get amp-like crunch tones from a clean or slightly dirty amp, it produces a focused midrange grind with an abundance of output volume to kick your amp over the edge.